Category Archives: Robert Burns & Burns poetry

Robert Burns and Halloween

Hallowe'en, by Robert Burns was published in 1796, in the Kilmarnock edition. 

Burns scholar Andrew Noble gave me a copy of his book “The Cannongate Burns.”  On page 74 he writes:

'To this headnote, Burns defines Halloween thus: Is thought to be a night when Witches, Devils, and other mischief-making beings, are all abroad on their baneful, midnight errands: particularly, those aerial people, the fairies, are said, on that night, to hold a grand anniversary.'

'The following poem will, by many readers, be well enough understood;
but for the sake of those unaquainted with the manners and tradtions of
the country [region] where the scene is cast, the notes are added, to
give some account of the principal charms and spells of that night, so
big with prophecy to the peasntry of the west of Scotland.  The passion
of prying into futurity makes a striking part of the history of human
nature in its rude state, in all ages and nations; and it may be some
entertainment to a philosphic mind, if any such honour the author with
a perusal, to see the remains of it, among the more unenlightened in
our own'

HALLOWEEN

by Robert Burns

Upon that night, when fairies light
On Cassilis Downans dance,
Or owre the lays, in splendid blaze,
On sprightly coursers prance;
Or for Colean the route is ta'en,
Beneath the moon's pale beams;
There, up the cove, to stray and rove,
Among the rocks and streams
To sport that night.

Among the bonny winding banks,
Where Doon rins, wimplin' clear,
Where Bruce ance ruled the martial ranks,
And shook his Carrick spear,
Some merry, friendly, country-folks,
Together did convene,
To burn their nits, and pou their stocks,
And haud their Halloween
Fu' blithe that night.

The lasses feat, and cleanly neat,
Mair braw than when they're fine;
Their faces blithe, fu' sweetly kythe,
Hearts leal, and warm, and kin';
The lads sae trig, wi' wooer-babs,
Weel knotted on their garten,
Some unco blate, and some wi' gabs,
Gar lasses' hearts gang startin'
Whiles fast at night.

Then, first and foremost, through the kail,
Their stocks maun a' be sought ance;
They steek their een, and graip and wale,
For muckle anes and straught anes.
Poor hav'rel Will fell aff the drift,
And wander'd through the bow-kail,
And pou't, for want o' better shift,
A runt was like a sow-tail,
Sae bow't that night.

Then, staught or crooked, yird or nane,
They roar and cry a' throu'ther;
The very wee things, todlin', rin,
Wi' stocks out owre their shouther;
And gif the custoc's sweet or sour.
Wi' joctelegs they taste them;
Syne cozily, aboon the door,
Wi cannie care, they've placed them
To lie that night.

The lasses staw frae 'mang them a'
To pou their stalks of corn:
But Rab slips out, and jinks about,
Behint the muckle thorn:
He grippet Nelly hard and fast;
Loud skirl'd a' the lasses;
But her tap-pickle maist was lost,
When kitlin' in the fause-house
Wi' him that night.

The auld guidwife's well-hoordit nits,
Are round and round divided,
And monie lads' and lasses' fates
Are there that night decided:
Some kindle coothie, side by side,
And burn thegither trimly;
Some start awa, wi' saucy pride,
And jump out-owre the chimlie
Fu' high that night.

Jean slips in twa wi' tentie ee;
Wha 'twas she wadna tell;
But this is Jock, and this is me,
She says in to hersel:
He bleezed owre her, and she owre him,
As they wad never mair part;
Till, fuff! he started up the lum,
And Jean had e'en a sair heart
To see't that night.

Poor Willie, wi' his bow-kail runt,
Was brunt wi' primsie Mallie;
And Mallie, nae doubt, took the drunt,
To be compared to Willie;
Mall's nit lap out wi' pridefu' fling,
And her ain fit it brunt it;
While Willie lap, and swore by jing,
'Twas just the way he wanted
To be that night.

Nell had the fause-house in her min',
She pits hersel and Rob in;
In loving bleeze they sweetly join,
Till white in ase they're sobbin';
Nell's heart was dancin' at the view,
She whisper'd Rob to leuk for't:
Rob, stowlins, prie'd her bonny mou',
Fu' cozie in the neuk for't,
Unseen that night.

But Merran sat behint their backs,
Her thoughts on Andrew Bell;
She lea'es them gashin' at their cracks,
And slips out by hersel:
She through the yard the nearest taks,
And to the kiln goes then,
And darklins graipit for the bauks,
And in the blue-clue throws then,
Right fear't that night.

And aye she win't, and aye she swat,
I wat she made nae jaukin',
Till something held within the pat,
Guid Lord! but she was quakin'!
But whether 'was the deil himsel,
Or whether 'twas a bauk-en',
Or whether it was Andrew Bell,
She didna wait on talkin'
To spier that night.

Wee Jennie to her grannie says,
“Will ye go wi' me, grannie?
I'll eat the apple at the glass
I gat frae Uncle Johnnie:”
She fuff't her pipe wi' sic a lunt,
In wrath she was sae vap'rin',
She notice't na, an aizle brunt
Her braw new worset apron
Out through that night.

“Ye little skelpie-limmer's face!
I daur you try sic sportin',
As seek the foul thief ony place,
For him to spae your fortune.
Nae doubt but ye may get a sight!
Great cause ye hae to fear it;
For mony a ane has gotten a fright,
And lived and died deleeret
On sic a night.

“Ae hairst afore the Sherramoor, —
I mind't as weel's yestreen,
I was a gilpey then, I'm sure
I wasna past fifteen;
The simmer had been cauld and wat,
And stuff was unco green;
And aye a rantin' kirn we gat,
And just on Halloween
It fell that night.

“Our stibble-rig was Rab M'Graen,
A clever sturdy fallow:
His son gat Eppie Sim wi' wean,
That lived in Achmacalla:
He gat hemp-seed, I mind it weel,
And he made unco light o't;
But mony a day was by himsel,
He was sae sairly frighted
That very night.”

Then up gat fechtin' Jamie Fleck,
And he swore by his conscience,
That he could saw hemp-seed a peck;
For it was a' but nonsense.
The auld guidman raught down the pock,
And out a hanfu' gied him;
Syne bade him slip frae 'mang the folk,
Some time when nae ane see'd him,
And try't that night.

He marches through amang the stacks,
Though he was something sturtin;
The graip he for a harrow taks.
And haurls it at his curpin;
And every now and then he says,
“Hemp-seed, I saw thee,
And her that is to be my lass,
Come after me, and draw thee
As fast this night.”

He whistled up Lord Lennox' march
To keep his courage cheery;
Although his hair began to arch,
He was say fley'd and eerie:
Till presently he hears a squeak,
And then a grane and gruntle;
He by his shouther gae a keek,
And tumbled wi' a wintle
Out-owre that night.

He roar'd a horrid murder-shout,
In dreadfu' desperation!
And young and auld came runnin' out
To hear the sad narration;
He swore 'twas hilchin Jean M'Craw,
Or crouchie Merran Humphie,
Till, stop! she trotted through them
And wha was it but grumphie
Asteer that night!

Meg fain wad to the barn hae gaen,
To win three wechts o' naething;
But for to meet the deil her lane,
She pat but little faith in:
She gies the herd a pickle nits,
And two red-cheekit apples,
To watch, while for the barn she sets,
In hopes to see Tam Kipples
That very nicht.

She turns the key wi cannie thraw,
And owre the threshold ventures;
But first on Sawnie gies a ca'
Syne bauldly in she enters:
A ratton rattled up the wa',
And she cried, Lord, preserve her!
And ran through midden-hole and a',
And pray'd wi' zeal and fervour,
Fu' fast that night;

They hoy't out Will wi' sair advice;
They hecht him some fine braw ane;
It chanced the stack he faddom'd thrice
Was timmer-propt for thrawin';
He taks a swirlie, auld moss-oak,
For some black grousome carlin;
And loot a winze, and drew a stroke,
Till skin in blypes cam haurlin'
Aff's nieves that night.

A wanton widow Leezie was,
As canty as a kittlin;
But, och! that night amang the shaws,
She got a fearfu' settlin'!
She through the whins, and by the cairn,
And owre the hill gaed scrievin,
Whare three lairds' lands met at a burn
To dip her left sark-sleeve in,
Was bent that night.

Whyles owre a linn the burnie plays,
As through the glen it wimpl't;
Whyles round a rocky scaur it strays;
Whyles in a wiel it dimpl't;
Whyles glitter'd to the nightly rays,
Wi' bickering, dancing dazzle;
Whyles cookit underneath the braes,
Below the spreading hazel,
Unseen that night.

Among the brackens, on the brae,
Between her and the moon,
The deil, or else an outler quey,
Gat up and gae a croon:
Poor Leezie's heart maist lap the hool!
Near lav'rock-height she jumpit;
but mist a fit, and in the pool
Out-owre the lugs she plumpit,
Wi' a plunge that night.

In order, on the clean hearth-stane,
The luggies three are ranged,
And every time great care is ta'en',
To see them duly changed:
Auld Uncle John, wha wedlock joys
Sin' Mar's year did desire,
Because he gat the toom dish thrice,
He heaved them on the fire
In wrath that night.

Wi' merry sangs, and friendly cracks,
I wat they didna weary;
And unco tales, and funny jokes,
Their sports were cheap and cheery;
Till butter'd so'ns, wi' fragrant lunt,
Set a' their gabs a-steerin';
Syne, wi' a social glass o' strunt,
They parted aff careerin'
Fu' blythe that night.

Johnny Cash is Scottish… “Because it's Burns, Burns Burns… It's Robbie Burns”

I've always wanted a version of Johnny Cash's “Ring of Fire” to be redone for Robbie Burns…

(sing to the chorus of “Ring of Fire”)

We celebrate

January 25th


We wear kilts


and eat haggis too.




“Because it's Burns, Burns Burns…


It's Robbie Burns…


It's Robbie Burns.”

The following is from Johnny Cash's daughter Roseanne Cash's weblog: http://thelist.tumblr.com/page/2

This is a street sign in the town of Strathmiglo, Fife, Scotland,

where my family on my dad’s side originated in the 11th century.

There are still a few things with the name of Cash scattered around
this part of Fife:  Cash Mill, Cash Farm, Cash Easter and Cash Wester,
and this street, Cash Feus.  It’s odd— and comforting— to know that my
ancestors lived here for hundreds of years, until one of them decided
to move to America in the 17th century.  I don’t even know what they
passed on to me— perhaps a love of melancholy, Celtic- rooted music?  A
love of rolling hills and crumbling stone walls?

Maybe even the red hair.







The
first photo is a monument to the legendary Black Watch regiment, in
Aberfeldy, Scotland.  My ancestry on my father’s side begins in
Scotland, as part of the Clan McDonald, not too far from Aberfeldy, in
what is lovingly called The Kingdom of Fife.  I visited Aberfeldy in
February, 2009, for the first time.  I had been to Fife and the
surrounding area many times, as well as Glasgow, Edinburgh and
Aberdeen, but never to this part of Perthshire.  I filmed a couple of
episodes of “Transatlantic Sessions” at a beautiful estate, inside an
ancient barn, near Aberfeldy, in Fortingall.

The second photo is of the filming in the barn, with my friends and
great musicians Phil Cunningham, Aly Bain, Jerry Douglas and several
other superb musicians.  I found out something very strange during the
filming.  In the year 1692,  there was a bloody massacre called the
Massacre of Glencoe,  in which the men from the Campbell clan murdered
38 unarmed McDonalds in one horrible night.  I found out that the very
estate where we were filming “Transatlantic Sessions” was where the
plan for the massacre hatched, and just over a little hill from the
place where 38 unarmed McDonalds were killed in this infamous raid, which is
still memorialized every year in Scotland.

I looked around the barn
where we were playing, which was in existence during the massacre, and
I walked the very grounds where the massacre was put in motion.  I
thought about the fact that I, with my Clan McDonald ancestry, was
making music with men with Campbell ancestry, on a night over three
hundred years after those distant ancestors met in mortal combat, in
the very same spot.  It was a transcendent moment, and a very potent
reminder that music is the great connector. No matter how profound our
differences, even those that are part of our DNA, even those
differences that somehow merit memorials and rituals and centuries of
bitterness, can be dissolved very quickly with an A minor chord, a
piano, a guitar and a violin.  This knowledge, and the music, is
perhaps the most important thing I have received as a legacy.

Recognizing the 213th anniversary of the death of Robert Burns: we read poetry!

Robert Burns death acknowledged and remembered in Stanley Park
2009_July_Robert_Burns 021 by you.

Ian, Deb, Sarah, Robert and Lilias sit and read Burns poetry beneath the Robert Burns statue in Stanley Park. – photo Todd Wong

It was a unique event last night at the Robert Burns Statue
in Stanley Park. Several people met there to commemorate the death of
Robert Burns 213 years ago. Burns is the marshalling point for
Scotland's Homecoming year and we read some of his poetry and
reminisced about the big event back in 1996 in Stanley Park to commemorate the
bard's 200th anniversary, with the parade and the ceilidh after at the
Rowing Club.
  Robert Barr told us how pipe bands and people gathered at the parking lot of the Bayshore Inn, and paraded down Georgia Street to the Stanley Park Entrance.  A ceremony was held at the Robert Burns statue that had been erected 81 years ago August 25th, 1928.

2009_July_Robert_Burns 005 Gerard, Deb, Sarah, Todd, Ian and Keng enjoyed good company, good food and good drink.  A toast to Rabbie!

It was a gathering of friends who enjoy Burns poetry and the
friendships of each other. We started off meeting at the Irish Heather
Pub, and were given the Shebeen Whiskey Tasting room for our group. We
tasted the Famous Grouse (official scotch for Homecoming 2009 and the
Burns Suppers 2009), the official Robert Burns scotch whiskey, and the
Jamieson Irish whiskey.

2009_July_Robert_Burns 007Ray the bartender at the Shebeen, looked after us verrrry well.

Then off to Stanley Park for some poetry
readings. We had a moment of silence following the 9 O'Clock Gun. We
each took turns reading a Burns poem, and telling Burns stories, and
how Burns events had touched our lives. Robert Barr shared his
reminiscence about the big re-dedication event in Stanley Park to
commemorate the bard's 200th anniversary of his death, with the parade
and the ceilidh after at the Rowing Club.

It was wonderfully informal, yet still endearing. What a wonderful way to spend a
summer evening… reading Robert Burns poetry beside Coal Harbour at
sundown. I am grateful for both your friendship and Ian's, and the
mentorship in the ways of Burns dinners.

2009_July_Robert_Burns 013

2009_July_Robert_Burns 012 Sarah read Ae Fond Kiss

Video
http://www.flickr.com/photos/53803790@N00/3744995685/


Anniversary of death of Robert Burns – July 21st.

2009_January 108 by Toddish McWong.Pipers Allan and Trish McMordie at Robert Burns Statue in Stanley Park on the 250th anniversary of his birth, January 25th, 2009.

The 213th anniversary of Robert Burns death is July 21st.

He was 37 years old in 1796.
He is one of the world's greatest and most recited poets.
He wrote about equality of the sexes, and equality of station for men the whole world over.

2009 is the 250th anniversary of his birth.

I've decided NOT to organize a dinner at the rowing club.
This is easier….

Meet me at the Irish Heather for drinks,
7:45pm

Then we will go toast Rabbie when the 9 o'clock gun goes off, at the statue in Stanley Park.

We can read some poetry, tell some stories, and have a moment of silence….
I think we can arrive at the statue for 8:45pm or so…

Wear your kilt or tartan….

2009_January 186 by Toddish McWong.

Flowers, pictures of virtual statue and wreath + glass of scotch, all left at Robert Burns statue on January 25th, 2009.

Michael Jackson was a fan of Robert Burns: “King of Pop” loved “King O'Men”


Michael Jackson was a fan of Rabbie Burns
– dinna ye ken?

The honest man, though e'er sae poor,
Is king o' men for a' that.

Imagine comparisons between the poetry and songs of Robert Burns vs songs of Michael Jackson.

Burns' “For A' That” vs Jackson's “We Are the World”

That man to man, the world o'er,
Shall brothers be for a' that!

Burns' “Aye Fond Kiss” vs Jackson's “Remember the Time”

Never met — or never parted —
We had ne'er been broken-hearted.

Burns' Tam O'Shanter vs Jackson's “Thriller”

Here is a news article sent to me by Ron Macleod:

Michael Jackson was a fan of Robert Burns and once recorded an album of the Bard’s poetry set to music.

The album plans were revealed by his friend, concert promoter and I’m a Celebrity… star David Gest, a year ago.

Gest, once married to Liza Minnelli, told the Daily Telegraph the disc would give a modern twist to the work of the Bard.

He said: “Our favourite poet in the world is Robbie Burns.

“Michael and I were originally going to do a musical on his life
with Gene Kelly directing and Anthony Perkins as executive producer –
but they both died.

“So Michael and I put all the poems to contemporary music in his studio in Encino.”

Gest went on to reveal that he and Jackson shared a profound fondness for Burns, both greatly admiring his “brilliant mind”.

Gest continued: “We did Ae Fond Kiss, Tam O'Shanter and all that. We
turned his work into show tunes. It is beautiful and I still have the
recordings.

“I am thinking more and more about bringing Red, Red Rose back to
life because I went on that bridge when I was last in Scotland looking
for Tam O'Shanter


http://entertainment.stv.tv/showbiz/105003-michael-jackson-recorded-robert-burns-album/

Gung Haggis Fat Choy, a scholarly take as alternative to the “Scottish Discursive Unconsious”

Gung Haggis Fat Choy making it's way into the lexicon of journals about Scottish culture:
Dr. Leith Davis writes about Toddish McWong for Scottish on-line journal – The Bottle Imp


Dr.
Leith Davis of SFU Centre of Scottish Studies, writes that “Gung
Haggis Fat Choy” bucks the trend of “Scottish Discursive Unconscious.” 

She writes: “In his contribution to the recent volume on
Transatlantic Scots
, Colin McArthur comments on what he calls
the “Scottish Discursive Unconscious,” a restricted range of “images, tones, rhetorical tropes, and ideological
tendencies, often within utterances promulgated decades (sometimes even a century or more) apart”…

“Vancouver, British Columbia, serves as a good test case for McArthur's comments. Like so many Canadian cities,
it has been home over the years to a large population of Scottish immigrants….
 
“There are indeed traces of the Scottish Discursive Unconscious at work in Vancouver….

“Gung Haggis Fat Choy takes many of the features of traditional Burns nights and gives them a non-traditional twist…The “Address to the Haggis” morphs into the “Rap to the Haggis,” featuring Joe MacDonald and Todd Wong with a
synthesized beat maker in the background. The “Toast to the Lassies” in 2009 was a rap-poem delivered by a
lassie with an all-male chorus. In addition, Asian elements are added, such as a “bamboo clappertale” about Robert
Burns and his teacher by Jan Walls and music by the Silk Road Music Ensemble. Haggis wontons and other delicacies
suggest a culinary as well as cultural fusion. Gung Haggis Fat Choy does not stop at mixing together those of Chinese
and Scottish heritage. Rather, its aim is to provide a celebratory venue in which those from all cultures can be
comfortable. The 2009 dinner opened, for example, with a blessing from Musqueam elder Larry Grant, a reminder,
perhaps, that we are all immigrants here at some time in the past.

Where traditional Burns suppers of today include very little poetry, apart from snippets of the bard's most
famous works, Gung Haggis Fat Choy keeps the spirit of Burns's creativity alive by featuring readings from
Asian-Canadian poets and donating money to the Asian Canadian Writers' Workshop, Ricepaper magazine and the
Joy Kogawa House. Kogawa was one of the first Asian-Canadian writers to reach a national popular audience
with her 1981 novel Obasan.

Read the entire article at:

http://www.arts.gla.ac.uk/ScotLit/ASLS/SWE/TBI/TBIIssue5/Diaspora.html

Tartan Day and Scotland Week celebrated by SFU's Centre for Scottish Studies with Michael Russell, Scottish Parliamentary Minister for Culture!

April 6th is Tartan Day the whole world over.  And now there is Scottish Week.

The Centre for Scottish Studies, at Simon Fraser University, organized a conference on “Robert Burns in Transatlantic Context.”  I was invited by Dr. Leith Davis to perform on the Tuesday evening, and give a presentation on Wednesday afternoon, and attend the closing reception on Thursday evening.

Tartan Week in Vancouver was also the final stop for Scottish Parliamentary Minister of Culture, Michael Russell, who started his week at the Tartan Day parade in New York City, visited Toronto, Vancouver, Victoria, then Vancouver again.

IMG_0186

Toddish McWong meets Michael Russell, Scottish Parliamentary Minister for Culture, External Affairs and Constitution,
Scottish Development International – photo T. Wong

Last year I was featured in a Vancouver Sun story about Tartan Day.  Vancouver Sun: The next celebration – Toddish McWong helps to spread the word about Tartan Day
 


Then I helped organize a proclamation by the City of Vancouver:
Tartan Day (April 6) proclaimed in City of Vancouver, April 3

On April 6th, we had an informal ceremony filmed by Global TV News, with the proclamation read by City Councilor Raymond Louie:
A Tartan Day dragon boat paddle practice… with bagpiper and proclamation reading

This year the major events were organized by Dr. Leith Davis, director of the Centre for Scottish Studies, SFU.

The week started out with a Tuesday evening of music and song for the “Musical Celebration of Burns in North America,” featuring Jon Bartlett and Rika Reubsaat, performing “Burns Songs in BC”, and also Kirsteen McCue and pianist David Hamilton performing Burns Songs by Serge Hovey.  This was really interesting because Kirsteen is from Scotland, and she explained that these were the musical arrangements that Burns himself had used, but were only discovered a few years ago.

The third set of the evening featured Gung Haggis Fat Choy performers.  After a poem by visiting Scottish professor Dr. Robert Crawford, Dr. Jan Walls explained about Chinese clapper songs.  Jan is former director of International Communication at SFU, and also a former cultural attache for the Canadian embassy in Beijing.  At this year's Gung Haggis Fat Choy dinner, Jan performed a song about Robbie Burns to chinese clappers.  Leith was knocked out by Jan's performance.  This evening Jan performed the Burns poem “John Barleycorn.”

Leith's idea was to introduce all the travelling Burns scholars and conference attendees to a little bit of Gung Haggis Fat Choy.  She told them all that it was the “best Burns dinner” she has been to.  And she was amazed at how the Gung Haggis event incorporated and promoted cultural fusion.

MVI_0155 Todd Wong apologizes for being unable to “roll” his “r's” due to Chinese DNA which has no “r-sounds”in the Chinese language.

Leith asked for a performance of “The Haggis Rap” or “Rap To A Haggis”, in which bagpiper Joe McDonald and I rap the immortal Burns poem, “Address to a Haggis.”  I introduced it by saying that Joe and I had performed this on CBC national television, and our MP3 version had also been played on BBC Radio Scotland two years ago.  Meanwhile, Joe had found a haggis in the kitchen.  Gung Haggis dragon boater Debbie Poon followed Joe into the hall carrying the haggis.

MVI_0153 Joe McDonald pipes in the haggis for Scottish Week.

We closed off the evening by leading a singalong of Auld Lang Syne with the first verse and chorus in Mandarin Chinese.  Then dragon boaters Steven Wong and Debbie Poon helped lead some “volunteers” in a Chinese dragon parade, complete with two children carrying the Chinese lion masks.  It was fun, and lots of people thanked us afterwards with positive compliments.

On Wednesday there was a Community Research Forum on “Burns In BC.”

Jon Bartlett and Rika Reubsaat started the forum by talking about the history of Burns dinners in BC.  They were followed by Robert Barr who gave a history of the Vancouver Burns Club.  I followed with a history of Gung Haggis Fat Choy, its origins and its cultural fusion context.

I explained that BC is a young province.  While we are celebrating the 250th Anniversary of Robert Burns' birth, we only just celebrated the 150th anniversary of the colony of BC.  Vancouver is only 123 years old.  I explained that to me, the “Two Solitudes” of BC are the Scottish and Chinese.  Each arrived from an opposite direction, and lived in conflict.  I explained that if the Scots hadn't been in political power, there probably wouldn't have been a Chinese Head Tax or an Exclusion Act to keep the Chinese out of Canada.  To which many people applauded my statement.  I went on to say that many generations later, there are many Scots and Chinese intermarried, and sharing Scots and Chinese DNA, just like in my family.

I shared how I first wore a kilt for the 1993 Burns ceremony at Simon Fraser University, and how the Gung Haggis Fat Choy dinners grew from 16 people in 1998 to 550 people in 2009.  A CBC television performance special was aired in 2004 and 2005.   And with the SFU Recreation Department, I helped create the SFU Gung Haggis Fat Choy Festival in 2005 with dragon cart races, and later with the human curling event.  It was a good talk that also included how I was chosent to play Robert Burns for the Celticfest's inaugural “Battle of the Bards” which I won against actors playing Dylan Thomas and W.B. Yeats.

Making Burns relevant in a global 21st Century, is what Gung Haggis Fat Choy events do.  The growth of copycat dinners in Ottawa, the Yukon, Seattle and Santa Barbara, demonstrate that Gung Haggis is reaching people in a positive way.  While promoting Burns, it also addresses multiculturalism and racism.

Thursday's Scottish Week finale is a reception for Michael Russell, Scottish Member of Parliament.

Robert Burns in a Transatlantic Context: SFU events FREE to the public

SFU Centre for Scottish Studies hosts a global Robert Burns conference
2009_January 178 by you.
The 250th Anniversary of Robert Burns birth, was celebrated at the Burns statue in Stanley Park with an small informal celebration organized by Todd Wong (red vest) and Dr. Leith Davis (2nd row with purple shawl, behind her front row daughter in red skirt) – photo T. Wong

How does the poetry and songs of Robert Burns affect Canadians in West Coast Vancouver?

Dr. Leith Davis, director of the Centre for Scottish Studies, Simon Fraser University, has organized a conference about the global Robert Burns – titled “Robert Burns in a Transatlantic Context.”

Leith loved attending the 2009 Gung Haggis Fat Choy dinner, and how we blended and juxtaposed Scottish, Chinese cultures with a Canadian twist and a seasoning of First Nations.  In planning her conference for Tartan Week, we wondered how to give a “Gung Haggis” experience to her conference attendees.  So for the Tuesday night evening of Robert Burns songs and poetry, A Musical Celebration of Burns in North America, she has invited Toddish McWong and Gung Haggis Fat Choy performers to give our “Rap to a Haggis”, a Chinese claper tale performance by Dr. Jan Walls set to a Robbie Burns poem, and a performance of Auld Lang Syne (with the first verse sung in Mandarin Chinese) augmented with our parade dragon and Chinese Lions.  Deep-fried haggis wontons will hopefully be served along with haggis on Tuesday evening. 

On Wednesday afternoon, I will be part of the Community Research Forum of “Burns in BC.” – where I will talk about the history and development of Gung Haggis Fat Choy, and how it inspired both a CBC TV television Gung Haggis Fat Choy performance special and the SFU Gung Haggis Fat Choy Festival.

2009_January 261 2009 SFU Gung Haggis Fat Choy Festival features “dragon cart racing” invented by yours truly – photo Todd Wong.

How did I first meet Dr. Davis?

After brief email introductions, I called her with the idea of a wreath laying ceremony at the Burns statue in Vancouver's Stanley Park to mark the 250th Anniversary of Burn's birth.

We emailed and talked by phone and organized some activities, but we didn't meet in person until after she had spent 2 weeks in Scotland for the 2009 Homecoming activities, and arrived back in Vancouver on January 25th, and came to Stanley Park for our planned event, which her husband and two children were already present at.

That evening she and her husband were guests of honour at the 2009 Gung Haggis Fat Choy dinner.  Leith gave “the immortal address” and marvelled at all the songs, guests, food and performances at the Gung Haggis Dinner, and especially at the impromptu ceremonial cutting of the haggis by Vancouver mayor Gregor Robertson.

Please check out the free public events for the:


SFU's Centre for Scottish Studies presents

“Robert Burns in a Transatlantic
Context”

 

Public events:

 

Tuesday, April 7th

Doors open at 6:30 p.m.; concerts starts at 7:00
p.m.

A Musical Celebration of 
Burns in
North America

Jon Bartlett and Rika Ruebsaat, 
“Burns Songs in BC”

Kirsteen McCue and David Hamilton, 
“Burns Songs Set by Serge Hovey”

Gung Haggis Fat Choy Performers

Scottish Cultural Centre,
8886 Hudson Street , Vancouver

 

Wednesday, April 8th, 3:00 – 3:30 p.m.

Michael Russell, Scottish Minister for Culture,
External Affairs
and the Constitution

“Connecting
Scotland and
the Scottish Diaspora”

Room 1425
SFU Harbour
Centre, 515 West Hastings Street ,
Vancouver


Wednesday, April 8th, 3:45 – 5:00 p.m.

Community Research Forum on 
“Burns in BC”

Room 2200
SFU Harbour
Centre, 515 West Hastings Street ,
Vancouver

 

Wednesday, April 8th, 7:00 p.m.

Lecture: Dr. Robert Crawford, 
“Writing Burns’s
Biography”

Room 1400,
SFU Harbour
Centre (reception to follow)

 

Thursday, April 9th, 3:00-4:30 p.m.

Workshop: “Connecting Diasporas: 
Scotland, Asia and the Caribbean ”

Room 2200, Harbour Centre,
515 West Hastings Street , Vancouver

 

All events are free and open to the public. 

Please contact Ron Sutherland to reserve a seat:

rsutherl@sfu.ca;
604-988-0479

 

Sponsored by SFU’s Centre for Scottish Studies;
the Social Sciences and Humanities Research Council of Canada; and the
Vancouver Burns Club

Picture of Toddish McWong appears in Vancouver Sun article about Jason Kenney's views on Canadian identity, diversity and not giving money to specific immigrant cultural groups


“Toddish McWong”- the creator of “Gung Haggis Fat Choy.” 
What are Canadian values?  and Canadian diversity?

Who makes them: Canadian citizens? Immigrant Canadians?

or Jason Kenney – minister of citizenship, immigration and multiculturalism?

Jason Kenney is the federal minister of citizenship, immigration and multiculturalism.  He presided over the Chinese Canadian Head Tax redress, that resulted in Prime Minister Stephen Harper giving a parliamentary apology for a racist tax but only gave an ex-gratia payments that recognized less than 1% of head tax certificates, because it was limited to only surviving head tax payers and spouses… most have long since died since Margaret Mitchell first brought up the the issue of Head Tax Redress in the Canadian Parliament back in 1984.

Recently, Jason Kenney waded into the discussion about Canadian identity, and immigration language classes, when he talked with editors at the Calgary Herald:

New Canadians, says Kenney, “have a duty to integrate.” Further, he
says, “We don't need the state to promote diversity. It is a natural
part of our civil society.”

To that end, the government has
sensibly ceased funding programs such as heritage language classes. Why
should the federal government pay for children to learn the language of
the country their parents and grandparents come from? It's the family's
responsibility to teach children about their heritage, including the
language.

The original story appeared in the Calgary Herald on March 20th.

Kenney right person for immigration minefield
http://www.calgaryherald.com/columnists/Kenney+right+person+immigration+minefield/1409011/story.html

The same story appeared in the Ottawa Citizen on March 30th (with comments)

Kenney stands for Canada
http://www.ottawacitizen.com/technology/personal-tech/Kenney+stands+Canada/1443307/story.html

Today, the same story appeared in the Vancouver Sun on April 1st, with a new title:

Immigration minister is right to stand up for Canadian values.
http://www.vancouversun.com/opinion/blogs/Immigration+minister+right+stand+Canadian+values/1451075/story.html

But this time, it appeared with a picture of Todd Wong aka “Toddish McWong” with the caption:

Now, that's heritage: 'Toddish McWong' combines Robert Burns Night and Chinese New Year.

I have to be flattered that my picture has appeared in the news media. 

But while the original story never mentioned “Toddish McWong” or “Gung Haggis Fat Choy,” a picture of Wong is used mainly to capture the reader's attention and draw them to the article. 

But I am a bit confused as to what the picture is meant to represent?

Is it because:

1  “Being Canadian means being everything to everyone who comes to our shores?”

2 – “People want to define Canada by how many politically correct contations this country can do to accomodate others?”

3 – “New Canadians have a duty to integrate,” says Kenney. “We don't need the state to promote diversity.  It is a natural part of our ciivl society.”

The article, by Naomi Lakritz of the Calgary Herald, goes on to share Kenney's views that: “the government has sensibly ceased funding programs such as heritage language classes [other than english or french].” 

“I think it's really neat that a fifth generation Ukrainian Canadian can speak Ukrainian… but pay for it yourself,” Kenney says.  Kenney's right… it is neat.  If you can speak your family's mother tongue, your life is just that much more enriched.  But such immersion in heritage shouldn't come at the expense of you identifying yourself as a Canadian first… and it certainly shouldn't come at Canadian taxpayer's expense.”

The article also goes on to give an example of how Kenney says that a grant for language training to the Canadian Arab Federation will not be renewed: “The government should support moderate mainstream voices, not people on the fringe.” 

The Gung Haggis Fat Choy events that I have created since 1998 have never received any federal grant money. 

I am a fifth generation Chinese Canadian that speaks better French than Chinese. 

I am a descendant of Chinese head tax payers.

I have travelled to Oak Bay in Nova Scotia, walked the Plains of Abraham in Quebec, stood on Point Pelee in Ontario, skiied in Banff Alberta, visited totem poles in Haida Gwaii, and even stood on the corner of Portage and Main in Winnipeg during windchilled Winter. 

I have been the guest speaker at a Terry Fox Run in Beijing, China.

By creating Gung Haggis Fat Choy events, my aim is to recognize both the pioneer histories of Chinese Canadians and Scottish Canadians, as well as the future of Canadians born with these shared ancestries.

I believe that culture evolves, and is not stagnant.

I believe that all Canadians should read “How to Be a Canadian” by Will Ferguson and his brother Ian Ferguson.

If it is a Canadian value to laugh, make fun of ourselves and not take ourselves too seriously, then maybe this book should also be mandatory reading when all new immigrants apply to become Canadian citizens, along with learning English or French.

And that's what Gung Haggis Fat Choy also encourages us to do… laugh and make fun of ourselves, by flipping stereotypes of Scottish and Chinese tradional customs into juxtapositions of cultural fusion.

CELTIC FEST – Lots of events… where will I be?

Celticfest is one of Vancouver's most exciting ethno-cultural festivals:
Saturday I will check out “Battle of the Bards” King O' Men (about Robbie Burns, and the annual Gung Haggis Fat Choy entry in the St. Patrick's Day Parade.

Celticfest started on Wednesday and goes to Sunday March 15th.  St. Patrick's Day is on Tuesday March 17th.

Check out the website: www.celticfestvancouver.com for lots of great events featuring Ashley McIssac, Lunasa, Irish Pipes Regiment, Battle of the Bards etc. etc.

This year there is a play about Robbie Burns, titled King O'Men – featuring bagpiper Rob McDonald and actor John Hardie.  All the more to celebrate the 250th Anniversary of the birth of poet Robert Burns.

I was involved in the augural “Battle of the Bards” event last year, playing poet Robbie Burns.  It's a great fun event, where performers “channel” the spirit of the poets, and read the poems.   Check out my story from last year: www.GungHaggisFatChoy.com :: Toddish McWong's “Robert Burns” wins Battle of the Bards

The annual St. Patrick's Day Parade is lots of fun too!  We usually hang out at the Celticfest Village following the parade.  This year's parade is on Georgia St.  Starting at Broughton, the parade route heads East ending at Howe St.  The Village is on the North lawn of the Vancouver Art Gallery.

Check out my story from last year: www.GungHaggisFatChoy.com :: Gung Haggis Fat Choy puts a dragon (not a snake) in the parade.

Here are 3 events that I will be attending – hope to see you there!

Saturday March 14
2:00 PM – 6:00 PM

Festival Pick
Spoken Word
Music

Battle of the Bards – A Literary Pub Crawl and Grand Finale

Three cheers! The Battle of the Bards is back for 2009, whisking you along on a flying tour of Granville Street’s best Irish pubs.

Dynamic spoken word artists Sean McGarragle, Duncan Shields and Warren Dean Fulton
channel W.B. Yeats, Oscar Wilde and Robbie Burns respectively as they
duke it out to be crowned “top bard” in an on-the-move poetry
slam-style contest, judged by members of the audience in each venue.

The crawl culminates at The Cellar, where the bards will do final “battle” with Vancouver’s first official poet laureate George McWhirter
presiding over the event. Expect plenty of artistic license as the
performers offer their own hilarious perspectives on the masters with
the help of improv fiddler Caitlan Read.

Who will be this year’s “top bard”? Why don’t you be the judge!

Pub Crawl
Round 1 – 2:00 PM @ Doolin's Irish Pub
Round 2 – 2:45 PM @ Ceili’s Irish Pub
Round 3 – 3:30 PM @ Johnnie Fox's Irish Snug
No admission charge @ Pub Crawl venues

Open Mic & Finale Event
The Cellar, 1006 Granville St. @ Nelson
4:25 PM to 6:00 PM

Saturday March 14

2 shows:
2:00 PM & 4:00 PM

Festival Pick
Spoken Word
Music
Kids / Family

King o' Men – A Robbie Burns Stage Play & 250th Birthday Tribute

Featuring John Hardie & Rob MacDonald

A
literary and musical costumed event that will send you spinning back in
time to the glorious days of Scotland’s most legendary poet and
lyricist. 2009 marks the 250th anniversary of the birth of Robbie
Burns, a cultural icon in Scotland and around the world. This tribute
features Rob MacDonald, a local piper, Chairman of “A
Swarm of Drones” and a Burns aficionado. He’ll be telling the
fascinating story of the life and times of Burns and playing some of
the tunes Robert set words to.

His performance will be followed by King o’ Men, an exciting new one-man play directed by writer and actor John Hardie
and making its Vancouver premiere at CelticFest. The production
imagines one of Burns’ closest and oldest friends reminiscing to a
curious journalist following the news of the great poet’s final
passing. This show will appeal to loyal fans of Scotland's favourite
literary son as well as those who are new to Burns’ story and works.

Here's
what Chris White, Artistic Director of the Ottawa Folk Festival, had to
say about a recent production of the play at the National Arts Centre:
“With minimal set and few props, Hardie delivered the piece with
enormous skill and subtlety, somehow managing to be humorous,
informative and intensely moving all at once. The performance, which
elicited an overwhelmingly positive audience response, is one that I
will be forever grateful to have witnessed.”

Tom Lee Music – Music Hall
3rd floor – 929 Granville St.

Sunday March 15
11:30 AM

Festival Pick
Kids / Family
Music
Dance

Shamrock6th Annual St. Patrick's Day Parade

Where can you find hundreds of thousands of people, all seized with Celtic fever? At the St. Patrick’s Day Parade, of course! This year the parade travels a new route along Georgia Street, beginning at Broughton St., ending up at the Celtic Village
outside the Vancouver Art Gallery at Georgia and Howe. Round up your
family and friends (and favourite green attire) and enjoy the spectacle
of over 2,000 colourfully costumed participants, from pipers and
drummers to acrobats and stilt-walkers. The price is still right –
absolutely free!

Presented by Downtown Vancouver Business Improvement Association