Category Archives: Literary Events

Terry Glavin wins Lt. Governor's Award for Literary Excellence

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Terry Glavin named recipient of
the sixth annual Lieutenant Governor’s Award
for Literary Excellence

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Okay…. it was author Terry Glavin who partly inspired me to create a “writer's speaking series” on the 2007 strike line of CUPE 391 Vancouver Library Workers.   Terry called me up for some reason or another, maybe to admit he was a big fan of my Gung Haggis Fat Choy Robbie Burns Chinese New Year Dinner, and somehow I asked him to give a reading on our strike line.  And that's how it started!  After Terry came many other authors such as Stan Persky, Hiromi Goto, Daniel Gawthrop, Rita Wong, Tom Sandborn, Chuck Davis….  but it started with Terry! http://www.gunghaggisfatchoy.com/blog/_archives/2007/8/15/3160687.htm

IMG_1743 by you.

Author, jounalist Terry Glavin speaks to the CUPE 391 Vancouver library workers – giving support – photo Todd Wong

We since became friends and look for reasons to go for a pint of Guinness at the Irish Times Pub in Victoria, or host a Gung Haggis house party at his place… but the only thing we manage to do is leave comments and links to each other blogs. 

Terry has written amazing books, and is very big on diversity – both cultural and environmental and bio-diversity.  Moreover, I think we recognize in each other a deep respect for First Nations culture and history, the ability to laugh and poke fun at mainstream institutions, and the necessity of shaking up the world a little now and then.

But on this Saturday, I will be able to have a drink and toast to my rabble rousing “outspoken voice” as he is feted by the BC literati.  In the mean time he says heVows To Resist The Urge To Cash The Cheque And Head Straight For The Track”

http://transmontanus.blogspot.com/2009/04/i-vow-to-resist-urge-to-cash-cheque-and.html

CIMG0247

At last year's BC Book Prizes, I got to hang out a bit with Gary Geddes, the 2008 winner of the Lt. Gov's Award for Literary Excellence. 
Rita Wong and Gary Geddes big winners at BC Book Prizes Gala
http://www.gunghaggisfatchoy.com/blog/_archives/2008/4/29/3666200.html

Terry and Gary are friends, so Terry won't mind if I put Gary's picture in here…

Check out the official BC Book Prize website

and what they have to say about Terry:

Vancouver, BC
– The West Coast Book Prize Society is proud to recognize Terry Glavin as the
recipient of the sixth annual Lieutenant Governor’s Award for Literary
Excellence
.

British
Columbia
’s Lieutenant Governor,
the Honourable Steven Point, will present
the award at the
Lieutenant Governor’s BC Book Prize Gala to be held at
the Marriott Pinnacle Hotel in
Vancouver on April 25, 2009.

The event will be hosted
by BC BookWorld publisher and
author Alan Twigg .

“Terry Glavin,
author and journalist, has been an outspoken voice in
British Columbia as a conservationist and
nature writer. He is known for his passionate commitment to
British Columbia ’s First Nations and
for his deep understanding of how First Nation culture and way of life are
bound up with the province’s
natural history and our future as a just and sustainable society.
 

In addition to his books,
Glavin’s many articles on social and political issues are evidence of his
strong journalistic ability to marshal facts and his unwillingness to go with
the accepted wisdom of either
the right or the
left. In his role as an iconoclast, he is a critical voice in
the dialogue that sustains a civil society.

As editor, Glavin has also
brought us the innovative and
courageous Transmontanus series, published by New Star Books. Established in
1992 with the aim of exploring
the relationships between landscape and imagination,
this innovative series of 16 titles has given voice to authors and
the mes that might o the rwise
have been lost to us.

Glavin offers an
extraordinarily holistic vision that does not focus on single issues, but
instead in everything he writes shows us a world where culture and nature,
human aspiration, natural beauty, language, history and social justice are
inextricably intertwined.
 

Terry Glavin has won many
awards for his work as a journalist, as a science and technology writer, for
his editorial innovation and for his powerful essays. We are privileged to
honour him with the Lieutenant
Governor’s Award for Literary Excellence in 2009, for his contribution to
life and letters in British Columbia
and for his willingness to show us how to see our world more deeply, more fully
and more truthfully.”

– Jury member Ellen Godfrey

The jury for this year’s Lieutenant
Governor’s Award: Ellen Godfrey, author and former literary publisher;
David Hill, Manager of Munro’s Books, Victoria; and Sheryl Mac
Kay , host of CBC’s North by Northwest.

This prize was
established in 2003 by former Lieutenant Governor, the
Honourable Iona Campagnolo, to recognize British
Columbia writers who have contributed to
the development of literary excellence in
the province. The recipient receives a cash award of
$5,000 and a commemorative certificate.

 

All BC
Book Prizes info at
www.bcbookprizes.ca

 

Al Purdy Party at Joy Kogawa House features 3 poets nominated for BC Book Prize

JOY KOGAWA HOUSE TO HOST AL PURDY PARTY

This is going to be an exciting event, created for BC Book and Magazine Week.

4 poets in an intimate setting with special host Shelagh Rogers.  Innaugural Kogawa House writerinresidence John Asfour has invited  3 nominated poets for the BC Book Prizes Dorothy Livesay Poetry Award: George Stanley, Nilofar Shimehr and Daphne Marlatt.

Shelagh Rogers did the last public  interview Purdy at the Eden Mills Writers' Festival. Shelagh says “He was awesome,” and will share her Al Purdy memories with the audience.
www.cbc.ca/wordsatlarge/blog/2008/05/al_purdy_an_uncommon_poet_memo.html

This will be also be a fundraiser for Save the Al Purdy A Frame… in the Joy
Kogawa childhood home, a house that was saved from demolition to be
turned into a writer in residence program and a historical/literary
landmark for all of Canada

April 21 is National Al Purdy Day.
http://www.poetrymap.ca/news_item.php?NewsID=35

from www.kogawahouse.com

Shelagh Rogers, host of “The Next Chapter” on CBC Radio, to emcee

with John Asfour – inaugural writer in residence at Joy Kogawa House, George Stanley, Nilofar Shidmehr and Daphne Marlatt

George Stanley (Vancouver: A Poem), Nilofar Shidmehr (Shirin and Salt Man) and Daphne Marlatt

When: 7:30 p.m., Monday, April 20

Where: Historic Joy Kogawa House, 1450 West 64th Avenue, Vancouver

Admission by donation. Space is limited. To secure a seat, please RSVP kogawahouse@yahoo.ca  

Three
BC Book Prize-nominated poets—George Stanley, Nilofar Shidmehr and
Daphne Marlatt—have accepted an invitation from writer-in-residence
John Asfour to read at Historic Joy Kogawa House on Monday, April 20,
as part of BC Book and Magazine Week.
 

Asfour,
a Montreal poet, is the first writer-in-residence at Kogawa House and
will present poetry readings to a variety of audiences, in
collaboration with the Canadian National Institute for the Blind, Simon
Fraser University’s Writers Studio, Christianne’s Lyceum of Literature
and Art and the Vancouver Public Library.
 

Asfour
is the author of four books of poetry in English and two in Arabic. He
translated the poetry of Muhammad al-Maghut into English under the
title Joy Is Not My Profession (Véhicule Press), and he selected, edited and introduced the landmark anthology When the Words Burn: An Anthology of Modern Arabic Poetry, 1945–1987 (Cormorant Books).
 

CBC
Radio host Shelagh Rogers will emcee the event, which is a
co-presentation of Historic Joy Kogawa House and the West Coast Book
Prize Society. George Stanley (Vancouver: A Poem), Nilofar Shidmehr (Shirin and Salt Man) and Daphne Marlatt (The Given) are finalists for the Dorothy Livesay Poetry Prize.
 

The
event takes place the evening before National Al Purdy Day, and the
League of Canadian Poets has invited all Canadian poets and lovers of
Canadian poetry to host a Purdy party to raise funds for the Al Purdy
A-Frame Project—Purdy’s former home on Roblin Lake, Ontario—and to
create a poet-in-residence program there that is similar to the
writer-in-residence program now under way in the childhood home of the
author Joy Kogawa.
 

This
poetry reading will be held at 7:30 pm at Historic Joy Kogawa House,
located at 1450 West 64th Avenue, Vancouver. Entrance by donation.
Space is limited. To secure a seat, please RSVP
kogawahouse@yahoo.ca
 

Judy Rebick comes to Joy Kogawa House

Meet Judy Rebick

Special guest at Historic Joy Kogawa House
with writer-in-residence John Asfour

from www.kogawahouse.com

When: 5 p.m., Friday, April 17
Where: 1450 West 64th Avenue, Vancouver

Admission by donation. Space is limited.

To reserve a seat, please RSVP kogawahouse@yahoo.ca

Writer-in-residence
John Asfour welcomes Judy Rebick to Historic Joy Kogawa House on
Friday, April 17. Rebick is a veteran activist, former host of CBC
Newsworld, chair of Social Justice and Democracy at Ryerson University
and former publisher of
www.rabble.ca. Come join us on Friday, April 17, as Judy Rebick speaks about her new book Transforming Power.

One
reader commented that Transforming Power “[is] a powerful, inspiring
treatise on a paradigm shift in social action that is taking place from
around the world. It offers new pathways to change making that are
critically needed in this time of crisis, and is an exciting window
into stories of hope and possibility around the world.” To attend this
event, please RSVP kogawahouse@yahoo.ca.

Wayson Choy is “Not Yet” dead: story in the Georgia Straight written by Brandy Lien Worrall

Wayson Choy's new memoir “Not Yet” is now available. 

Brandy Lien Worrall wrote the related cover story for the Georgia Straight last week about Wayson.


http://www.straight.com/article-210543/out-shadows

Also check out Charlie Smith's sidebar cover story:

Wayson Choy's Chinatown memories inspire

featuring Jen Fooksong Lee, author of “The End of East”
http://www.straight.com/article-210547/choys-chinatown-memories-inspire

Life and Death are linked.  Wayson Choy has defied death twice.  His memoir writings are just as important as his novels.

Brandy Lien Worrall is just finishing up the last courses and meetings for her Masters of Fine Arts, Creative Writing.  I got to know her during the Spring 2007 writing workshop she taught for the Chinese Canadian Historical Society, which produced the book Eating Stories: A Chinese Canadian & Aboriginal Potluck.  Just before the course was finished, Brandy was diagnosed with breast cancer.  She would fight and survive.  Check out Brandy's blog

In 1989, I was diagnosed with a life-threatening cancer tumor.  When I found myself questioning whether I would live or die, I knew I wasn't finished yet…  I didn't know what I still had to do, but I knew I wasn't finished…. not yet.

Wayson Choy also said “Not Yet.”

Not Yet is now the title of Wayson's newest memoir.  It follows the 1999 memoir, Paper Shadows, which was concerned with the ghosts and secrets of his adoption.

I got to know Wayson and his work while I was on the inaugural One Book One Vancouver program with his boyhood friend Larry Wong.  The Jade Peony was the perfect book and lent itself easily to create so many events to help make the book come alive for readers and participants.  We organized events for the library, coordinated with Asian Heritage Month, created “Jade Peony Tours” in Chinatown led by John Atkins, a reading at the Dr. Sun Yat Sen Gardens with pipa player Qiu Xia He of Silk Road Music.

But one of my favorite events was the “Dim Sum With Wayson Choy” for which Larry brought together friends of Wayson, that had inspired some of the characters to speak to the audience.  And Larry even surprised Wayson with a video greeting from Carole Shields, who was unable to attend due to cancer treatment.

But even with the impending death of Wayson's teacher, Carol Shields, few people knew about how close Wayson had come to death.  Jade Peony almost wasn't chosen because Wayson almost wasn't available. 

In July 2001, Wayson Choy suffered a combined asthma and heart attack that would put him in a coma.  He would later suffer a second heart attack in 2005.

Wayson's public talks are very accessible and intimate.  He shares openly his brushes with death, and his time in a coma, his discovery of issues about his adoption and birth parents.  Wherever he speaks, he always connects with the audience and they walk away touched by his generosity of spirit, knowledge and insight.

In 2002, the Asian Canadian Writers Workshop held their inaugural Community Builders Dinner during which Wayson and Paul Yee were both recognized along with special Community Pioneer Roy Mah.  Wayson told stories about being both intimidated and inspired by Roy Mah, the founder of Chinatown News.  It was a very special evening.  I was proud to be one of the event organizers, and especially to have pushed ACWW to hold an event to recognize Wayson's achievements.

In 2005, Wayson Choy's novel All That Matters, was a runner up for the 2004 Giller Prize.  With that came a whirlwind of more publicity tours and speaking engagements.  In the fall of 2005, he suffered a second heart attack.

As Wayson has been inspired, he in turn inspires others.  I am truly looking forward to reading “Not Yet.”

 Not Yet, by Wayson Choy

Wayson will be reading in the Vancouver area on

May 4th, 2009, 7pm

Tix $18/15

Capilano Performing Arts Theatre (2055 Purcell Way, North Van)


Heather Pawsey, Leslie Uyeda, perform at Bloedel Conservatory for a FREE event for Vancouver Cherry Blossom Festival


Heather Pawsey, Leslie Uyeda, perform at Bloedel Conservatory for a FREE event for Vancouver Cherry Blossom Festival….

Heather Pawsey has been a performer at Gung Haggis Fat Choy events since 2004.  Sometimes she brings flautist Karen Cernauskas.

Heather has been a pioneer of New Music in New Spaces, performing in places as diverse as Brittania Mines, a wine vat at Calona Winery, the Vancouver Aquarium and the Vancouver Crematorium at Mountain View cemetary.

Last year, Heather performed Historic Joy Kogawa House, with poems by Joy Kogawa set to music by Leslie Uyeda.
http://www.gunghaggisfatchoy.com/blog/_archives/2008/4/26/3661604.html

This looks like a fun event… and Free… to get into the Bloedel Conservatory at Queen Elizabeth Park.

Under Heaven's Dome
 


REVIEW: “The C-Word” play is full of c-words: Chinese, Canadian, colou-blind, change, characters… “C” it for yourself!

What is the C-Word that is the meaning of life?



The C-Word cast
(Foreground, from left): Preet Cheema (Akesh Gill), Grace Chin (Kelly Cho), Sheryl Thompson (Ashley Hennessey).
(Background, from left): Fane Tse
(Steve Chung), Raahul Singh (Pal Prasad). Photo by Terry
Wong, courtesy of The C-word.


The C-Word
  April 2, 3, 4, 9, 10, 11, 2009
written by Grace Chin


at the
Playwrights Theatre Centre on Granville Island, Vancouver

The C-Word is an engaging play… even before you sit down in the seats.  What is the C-Word?  Is it for  Chinese?  Or the derogatory Chink word?  Does it mean Coloured?  Is it a four letter word that belongs below the belt?  One for male appendage, or for female anatomy?

Is the C-Word something more abstract, profound and perhaps “Complicated”?

Or is it “Compassion” or “Cheating”?

In the opening scene, “The Love Guru” is giving a seminar on how to get some action for his male clients.  Pal Prasad (played by Raahul Singh), gives a short talk about goals, and what it takes to follow through.  It's about intention and going after what you want.  It could be any personal development seminar, but this is about the C-word.

Next we meet girlfriends Kelly Cho and Akesh Gill played by Grace Chin and Preet Cheema.  They are on a shopping trip and talking about Kelly's upcoming wedding plans.  Soon we learn that Kelly has a live-in boyfriend named Steve Chung (Fane Tse) who is a yellow guy, while Akesh is single, but she doesn't like brown guys.

Things become complicated when Steve goes to see his old friend Pal to ask for some advice, and compare his relationship and impending marriage with Kelly to Pal's long term “open relationship” to a blonde woman named Ashley (Sheryl Thompsson).  What follows becomes an intercultural Vancouver-style dramedy of errors, innuendo, suppositions on the study of relationships. 

Excuse me… the proper words are cheating, commitment, compassion, change, comic and consolation – after all this is “The C-Word.”

“The C-Word” is the third play by Grace Chin.  Twisting Fortunes was co-written with her TF Productions partner Charlie Cho, and was a delightful comedic romp, set to Vancouver's caffeine drive.  “The Quickie“, Chin's first solo playwright experience, explored multicultural speed dating.  “The C-Word” goes to the next level, exploring a search for meaning in relationships.  This is Chin's most frank and sexual play to date, and hints at the darker sides of relationships and human nature, not to mention weddings.

In all three productions, Vancouver's multicultural society is the setting, but it is the intercultural nature of the characters where the culture clashes occur.  It's not just a Chinese-Canadian 2nd generation immigrant experience that is explored, but also South Asian this time around too.  And somehow this is juxtoposed with what might be mainstream Canadian or possibly alternative sexual lifestyles.

From the beginning, the characters are all interesting and engaging.  The topics are easily relateable to the audience… unless you don't have any friends of a different ethnicity, or have never dated.  The pacing is good, and the diaglogue never flags.

The casting all works.  Raahul Singh has fun being the egotistical “Love Guru” and his character makes reference to the Mike Myers movie.  More cultural references abound as character development exploration occurs when Kelly and Ashley try to figure each other out, and what their men may see in each other.  Here the extremely self-critical Kelly tries to get a handle on the brazen Ashely, she labels a “Samantha” compared to her “Miranda” – or is she really a Carrie Bradshaw?  Grace Chin actually displays a bit of each of the Sex in the City characters in her role of Kelly.

Much of the action revolves around Kelly and Pal, but while Steve's character seems stalled and doesn't give Fane Tse a big range to play with, Preet Cheema gets to push her character Akesh in the 2nd Act.  Supporting actors Lili Lau Cook and Vincent Cheng provide wonderfully surprising turns as Kelly's parents.  Mel Tuck directs this ensemble cast.

Previous productions



a take-out love story

an accidentally Asian romantic dramedy

Web: www.scriptingaloud.ca/cword

See previews in Review Vancouver and Vancouverplays.com.


Robert Burns in a Transatlantic Context: SFU events FREE to the public

SFU Centre for Scottish Studies hosts a global Robert Burns conference
2009_January 178 by you.
The 250th Anniversary of Robert Burns birth, was celebrated at the Burns statue in Stanley Park with an small informal celebration organized by Todd Wong (red vest) and Dr. Leith Davis (2nd row with purple shawl, behind her front row daughter in red skirt) – photo T. Wong

How does the poetry and songs of Robert Burns affect Canadians in West Coast Vancouver?

Dr. Leith Davis, director of the Centre for Scottish Studies, Simon Fraser University, has organized a conference about the global Robert Burns – titled “Robert Burns in a Transatlantic Context.”

Leith loved attending the 2009 Gung Haggis Fat Choy dinner, and how we blended and juxtaposed Scottish, Chinese cultures with a Canadian twist and a seasoning of First Nations.  In planning her conference for Tartan Week, we wondered how to give a “Gung Haggis” experience to her conference attendees.  So for the Tuesday night evening of Robert Burns songs and poetry, A Musical Celebration of Burns in North America, she has invited Toddish McWong and Gung Haggis Fat Choy performers to give our “Rap to a Haggis”, a Chinese claper tale performance by Dr. Jan Walls set to a Robbie Burns poem, and a performance of Auld Lang Syne (with the first verse sung in Mandarin Chinese) augmented with our parade dragon and Chinese Lions.  Deep-fried haggis wontons will hopefully be served along with haggis on Tuesday evening. 

On Wednesday afternoon, I will be part of the Community Research Forum of “Burns in BC.” – where I will talk about the history and development of Gung Haggis Fat Choy, and how it inspired both a CBC TV television Gung Haggis Fat Choy performance special and the SFU Gung Haggis Fat Choy Festival.

2009_January 261 2009 SFU Gung Haggis Fat Choy Festival features “dragon cart racing” invented by yours truly – photo Todd Wong.

How did I first meet Dr. Davis?

After brief email introductions, I called her with the idea of a wreath laying ceremony at the Burns statue in Vancouver's Stanley Park to mark the 250th Anniversary of Burn's birth.

We emailed and talked by phone and organized some activities, but we didn't meet in person until after she had spent 2 weeks in Scotland for the 2009 Homecoming activities, and arrived back in Vancouver on January 25th, and came to Stanley Park for our planned event, which her husband and two children were already present at.

That evening she and her husband were guests of honour at the 2009 Gung Haggis Fat Choy dinner.  Leith gave “the immortal address” and marvelled at all the songs, guests, food and performances at the Gung Haggis Dinner, and especially at the impromptu ceremonial cutting of the haggis by Vancouver mayor Gregor Robertson.

Please check out the free public events for the:


SFU's Centre for Scottish Studies presents

“Robert Burns in a Transatlantic
Context”

 

Public events:

 

Tuesday, April 7th

Doors open at 6:30 p.m.; concerts starts at 7:00
p.m.

A Musical Celebration of 
Burns in
North America

Jon Bartlett and Rika Ruebsaat, 
“Burns Songs in BC”

Kirsteen McCue and David Hamilton, 
“Burns Songs Set by Serge Hovey”

Gung Haggis Fat Choy Performers

Scottish Cultural Centre,
8886 Hudson Street , Vancouver

 

Wednesday, April 8th, 3:00 – 3:30 p.m.

Michael Russell, Scottish Minister for Culture,
External Affairs
and the Constitution

“Connecting
Scotland and
the Scottish Diaspora”

Room 1425
SFU Harbour
Centre, 515 West Hastings Street ,
Vancouver


Wednesday, April 8th, 3:45 – 5:00 p.m.

Community Research Forum on 
“Burns in BC”

Room 2200
SFU Harbour
Centre, 515 West Hastings Street ,
Vancouver

 

Wednesday, April 8th, 7:00 p.m.

Lecture: Dr. Robert Crawford, 
“Writing Burns’s
Biography”

Room 1400,
SFU Harbour
Centre (reception to follow)

 

Thursday, April 9th, 3:00-4:30 p.m.

Workshop: “Connecting Diasporas: 
Scotland, Asia and the Caribbean ”

Room 2200, Harbour Centre,
515 West Hastings Street , Vancouver

 

All events are free and open to the public. 

Please contact Ron Sutherland to reserve a seat:

rsutherl@sfu.ca;
604-988-0479

 

Sponsored by SFU’s Centre for Scottish Studies;
the Social Sciences and Humanities Research Council of Canada; and the
Vancouver Burns Club

1st Writer-in-residence reading at Joy Kogawa House with John Asfour and guest Ann Diamond on April 6th

Writer-in-residence John Asfour welcomes novelist, playwright, and essayist Ann Diamond to read excerpts from My Cold War, stories from 1950s Montreal


2009_March 095 by you.

Montreal writer John Asfour met the Historic Joy Kogawa House Society at a board meeting March 23.  John (with dark glasses) stands beside life-size photo of Joy Kogawa used in the Royal BC Museum exhibit “Free Spirit.” – photo Deb Martin.

 

Monday, April 6, at 7:30pm, by donation

 

Historic Joy Kogawa House, 1450 West 64th Avenue, Vancouver

 

Ann Diamond's best-known work is a long poem, A Nun's Diary
(1989), which was adapted for theatre by Robert Lepage and became the
subject of a National Film Board documentary, “Breaking a Leg” directed
by Donald Winkler. Her first novel, Mona's Dance, was chosen by CBC as the best small press novel of 1988. In 1994, a story collection, Evil Eye, won the Hugh MacLennan Award for fiction. As an experiment, she self-published her novel Static Control after it had been accepted by DC Books and Les Editeurs XYZ.

 

Since 2002 when Diamond began work on her memoir, My Cold War,
she has reincarnated as a researcher and haunter of libraries,
fine-tooth-comber of documents and files, and explorer of a forbidden
chapter in recent Canadian history. This ongoing project has been, in
many ways, about reclaiming her own history as the daughter of a
Canadian Air Force intelligence officer, who came to Quebec from Sea
Island, BC, in 1943 to “hunt for Nazi spies.” Learning of her father's
secret activities led her inevitably into a wide-ranging study of the
history of that period, some of which remains classified to this day.

 

It
has also changed Diamond's relationship to the community she came
from–Anglo Montreal. It was a mixed blessing to live in a city with a
rich cultural tradition and a multi-layered history. By the mid-1980s,
when I began publishing fiction and poetry, Montreal had wandered off
the literary map of Canada. Diamond waged a personal campaign to change
that, writing for the Gazette, Books in Canada, Canadian Forum, CBC, Montreal Mirror, Room of One's Own, Geist, and so on.

 

Today
Diamond continues to study the history of Cold War experiments on
children, a secret program that spanned the country. Her birthplace,
Montreal, was the epicentre of a project that has altered our future in
countless ways which need to be faced. After five years of research and
writing, Diamond is pleased to shared those stories with a Vancouver
audience at Kogawa house.

 

Join us on Monday, April 6, at 7:30pm at Historic Joy Kogawa House, 1450 West 64th Avenue in Vancouver. Admission by donation.

The C-Word… new play by Grace Chin opens April 2 at Playwrights Theatre Centre

The C-Word is a new play by Grace Chin…

Gung Haggis members saw her first play Twisting Fortunes and the 2nd play “The Quickie”

Both were featured as sneak preview excerpts at Gung Haggis Fat Choy dinners in 2007 and 2008.

Check out Grace's play “The C-Word



The C-Word cast (from left): Preet Cheema
(Akesh Gill), Sheryl Thompson (Ashley Hennessey), Grace Chin (Kelly
Cho), Fane Tse (Steve Chung), Raahul Singh (Pal Prasad). Photo by Terry
Wong, wonger.ca

From http://www.scriptingaloud.ca/cword/

If cheating is colour blind, so is commitment, increasingly a “C-word”
to both sexes. How do you deal with intercultural cheating, commitment,
and consequences? The C-Word,
a contemporary, set-in-Vancouver dramedy directed by Mel Tuck, invites
an intimate in-and-out of the bedroom view of four friends' lives when
infidelity and unforeseen consequences force them to choose to whom,
and to what, they must commit. More

… a contemporary, set-in-Vancouver dramedy directed by Mel Tuck, invites an intimate in-and-out of the bedroom view of four friends’ lives when infidelity and unforeseen consequences force them to choose to whom, and to what, they must commit.

Playwrights Theatre Centre, Granville Island
1398 Cartwright Street, Vancouver, BC

Thurs Apr 2 – Sat Apr 4
Thurs Apr 9 – Sat Apr 11
All shows 8 pm

Tickets:
$18 online (PayPal)
“2 for $30” Thursday April 9
$20 at the door

DOOR PRIZES MOST NIGHTS

To buy tickets in advance and for more information:
www.scriptingaloud.ca/cword
cwordplay@gmail.com

Picture of Toddish McWong appears in Vancouver Sun article about Jason Kenney's views on Canadian identity, diversity and not giving money to specific immigrant cultural groups


“Toddish McWong”- the creator of “Gung Haggis Fat Choy.” 
What are Canadian values?  and Canadian diversity?

Who makes them: Canadian citizens? Immigrant Canadians?

or Jason Kenney – minister of citizenship, immigration and multiculturalism?

Jason Kenney is the federal minister of citizenship, immigration and multiculturalism.  He presided over the Chinese Canadian Head Tax redress, that resulted in Prime Minister Stephen Harper giving a parliamentary apology for a racist tax but only gave an ex-gratia payments that recognized less than 1% of head tax certificates, because it was limited to only surviving head tax payers and spouses… most have long since died since Margaret Mitchell first brought up the the issue of Head Tax Redress in the Canadian Parliament back in 1984.

Recently, Jason Kenney waded into the discussion about Canadian identity, and immigration language classes, when he talked with editors at the Calgary Herald:

New Canadians, says Kenney, “have a duty to integrate.” Further, he
says, “We don't need the state to promote diversity. It is a natural
part of our civil society.”

To that end, the government has
sensibly ceased funding programs such as heritage language classes. Why
should the federal government pay for children to learn the language of
the country their parents and grandparents come from? It's the family's
responsibility to teach children about their heritage, including the
language.

The original story appeared in the Calgary Herald on March 20th.

Kenney right person for immigration minefield
http://www.calgaryherald.com/columnists/Kenney+right+person+immigration+minefield/1409011/story.html

The same story appeared in the Ottawa Citizen on March 30th (with comments)

Kenney stands for Canada
http://www.ottawacitizen.com/technology/personal-tech/Kenney+stands+Canada/1443307/story.html

Today, the same story appeared in the Vancouver Sun on April 1st, with a new title:

Immigration minister is right to stand up for Canadian values.
http://www.vancouversun.com/opinion/blogs/Immigration+minister+right+stand+Canadian+values/1451075/story.html

But this time, it appeared with a picture of Todd Wong aka “Toddish McWong” with the caption:

Now, that's heritage: 'Toddish McWong' combines Robert Burns Night and Chinese New Year.

I have to be flattered that my picture has appeared in the news media. 

But while the original story never mentioned “Toddish McWong” or “Gung Haggis Fat Choy,” a picture of Wong is used mainly to capture the reader's attention and draw them to the article. 

But I am a bit confused as to what the picture is meant to represent?

Is it because:

1  “Being Canadian means being everything to everyone who comes to our shores?”

2 – “People want to define Canada by how many politically correct contations this country can do to accomodate others?”

3 – “New Canadians have a duty to integrate,” says Kenney. “We don't need the state to promote diversity.  It is a natural part of our ciivl society.”

The article, by Naomi Lakritz of the Calgary Herald, goes on to share Kenney's views that: “the government has sensibly ceased funding programs such as heritage language classes [other than english or french].” 

“I think it's really neat that a fifth generation Ukrainian Canadian can speak Ukrainian… but pay for it yourself,” Kenney says.  Kenney's right… it is neat.  If you can speak your family's mother tongue, your life is just that much more enriched.  But such immersion in heritage shouldn't come at the expense of you identifying yourself as a Canadian first… and it certainly shouldn't come at Canadian taxpayer's expense.”

The article also goes on to give an example of how Kenney says that a grant for language training to the Canadian Arab Federation will not be renewed: “The government should support moderate mainstream voices, not people on the fringe.” 

The Gung Haggis Fat Choy events that I have created since 1998 have never received any federal grant money. 

I am a fifth generation Chinese Canadian that speaks better French than Chinese. 

I am a descendant of Chinese head tax payers.

I have travelled to Oak Bay in Nova Scotia, walked the Plains of Abraham in Quebec, stood on Point Pelee in Ontario, skiied in Banff Alberta, visited totem poles in Haida Gwaii, and even stood on the corner of Portage and Main in Winnipeg during windchilled Winter. 

I have been the guest speaker at a Terry Fox Run in Beijing, China.

By creating Gung Haggis Fat Choy events, my aim is to recognize both the pioneer histories of Chinese Canadians and Scottish Canadians, as well as the future of Canadians born with these shared ancestries.

I believe that culture evolves, and is not stagnant.

I believe that all Canadians should read “How to Be a Canadian” by Will Ferguson and his brother Ian Ferguson.

If it is a Canadian value to laugh, make fun of ourselves and not take ourselves too seriously, then maybe this book should also be mandatory reading when all new immigrants apply to become Canadian citizens, along with learning English or French.

And that's what Gung Haggis Fat Choy also encourages us to do… laugh and make fun of ourselves, by flipping stereotypes of Scottish and Chinese tradional customs into juxtapositions of cultural fusion.