Oopsie… SHAME on BC Liberals, trying to use a proposed apology for Chinese Head Tax and Exclusion Act, as a ploy to win votes prior to the next election. Waitasec… the Paul Martin Federal Liberals tried to do the same thing back in 2005, but it backfired big time, and it was the Harper Conservatives that made the official Apology in June 2006, after they were elected in January 2006.  I know this because, I was also active on the Chinese Head Tax Redress campaign from 2005-2006.

Document outlines “quick wins” such as making apologies for historical wrongs

I heard Jenny Kwan speak on CBC radio Wednesday afternoon and she is very passionate about doing an apology for the “right reasons” – not for “quick wins” as outlined in this Liberal document. In May 2012, The BC Liberals worked through an apology for the internment of Japanese-Canadians and it was both successful and meaningful – especially with Liberal MLA Naomi Yamamoto’s father having been interned during WW2 – but the timing is all wrong now… a head tax apology would have been much better soon after the Federal apology in 2006, or just prior to Chinese New Year on Feb 10, 2013… or anytime in between… but the optics are all wrong now. http://www.straight.com/news/bc-government-apologizes-internment-japanese-canadians

I had heard that Liberal MLA’s Richard Lee and John Yap were working on an apology for Chinese Head Tax, similar to the apology for the Japanese-Canadian internment.  I know that Richard and John have always been active with Chinese-Canadian Community groups.  Richard has attended our Asian Canadian Writers Workshop events in the past and presented “Appreciation Certificates” on behalf of the BC Government.  I usually see John at events for the Chinese Canadian Military Museum, and he was the MLA who gave the Chinese-Canadian veterans recognition in the Victoria Legislature many years ago.  I know they work hard in the community, but the timing of this announcement for a head tax apology linked with vote-winning is unfortunate.

I have been following the issue of the BC Liberals creating an apology for the Chinese Head Tax and Exclusion Act.  For the past 2 weeks, I have heard rumblings in the Chinese-Canadian community about a possible apology.  However I have also heard that community groups were invited to meetings on very short notice, such as a few days, and they felt this was disrespectful.  The Federal process for an apology took place over many months, and this is after it took decades of meetings and asking for a simple apology, not including ex-gratia payments.

My grand-uncle Daniel Lee was a WW2 veteran, and part of the successful campaign that helped to repeal the racist Chinese Immigration Act of 1925 that excluded all immigration of Chinese to Canada, resulting in the restoration of voting rights to Canadians of Chinese ancestry.  Every year Uncle Dan would sell poppies on the streets of Vancouver, and he would write a letter to the Federal government asking for an apology. 59 years after the restoration to voting rights, he was able to see the apology in 2006.  Unfortunately neither his father nor mother were not eligible for a head tax ex-gratia payment because they pre-deceased the apology,  dying around 1925 and 1975.

A proper and meaningful apology by the BC Government should be done with respect to the descendants of the original Head Tax payers, and not simply used as a method to woo votes from a growing list of voters who are recent immigrants who have no experience of the hardships of the Head Tax and Exclusion Act periods of BC history.

This is one of my favorite pictures of Harry. It was the first open house event at Kogawa House. And we had a musical surprise for Joy Kogawa, playing “The Farewell Song” from the Naomi’s Road opera, with soprano Jessical Cheung, guitarist Masaki Watanabe, and accordionist Todd Wong. Joy has shared that she based the musician character of Stephen Nagai in her novel Obasan, partly inspired by Harry. – photo by Deb Martin.

This is the Obituary printed in the Vancouver Sun/Province

AOKI, Hirowo Harry
August 22, 1921- January 24, 2013
Harry passed away peacefully on January 24, 2013 at the age of 91. Harry experienced a varied career well into the 80’s. He was a logger, timber cruiser, ski instructor, B.C. Electric systems analyst, teacher, musician, conductor, arranger and composer, recording artist, musicologist, band leader, impresario, advocate for social justice, traveller, and pioneer in the field of world music. During the 1960’s, together with good friend James Johnson, Harry operated a family oriented “folk” coffee house in Qualicum Beach. The duo hosted the CBC TV show “Moods of Man” that featured folk, jazz, blues, and classical music. This was followed by tours of the U.S.A. college circuit with their menu of multi-cultural folk music. In 1978, he was musical director for the opening ceremonies of the Commonwealth Games in Edmonton. Later in life, Harry was honoured by the Asia Pacific Foundation with the “Living Heritage” award in recognition of his contribution towards preserving traditional Asian culture for the enjoyment and enrichment of future generations of Canadians. His vision of intercultural harmony through the arts survives in the countless lives he touched and the loyal friends and communities that he brought together. His passing is a deep loss, but his work and legacy will live on. Harry leaves this world in accordance with his own vision of being true to oneself. No service will be held by his request, but there will be a private family gathering at a later date. In addition Harry’s friends are invited to attend a brief gathering at the Vancouver Crematorium chapel, 5505 Fraser Street, Vancouver, on Saturday, February 9 at 9:30 AM. Harry was predeceased by brother Dr. Ted Aoki. He is survived by brother Tats Aoki and sisters Mary Malcolm and Judy Matsuba. In lieu of flowers, donations to the Aoki Legacy Fund established through the Friends of Harry Aoki in partnership with St. John’s College at UBC (http:/ /stjohns.ubc.ca/), or to a cause of your choice will be deeply appreciated. Share memories of Harry at www.dignitymemorial.com.

At the February 1st Friday Forum…

This was the first session since Harry’s Passing.We played songs and shared stories of Harry. It was a good evening… and I played on my accordion the song “Neil Gow’s Lament for his Second Wife” and Maxwell Ngai accompanied me on violin.

I read it from my cell phone… and people enjoyed it. Many commented that they never knew that Harry had helped inspire the character of Stephen Nakane, and others said they would read Obasan again.

The next session will be March 1st at St. John’s College at UBC and it will be a musical tribute to Harry, and it will be Celebration of Life.

Here is a Harry playing Star Dust on his harmonica, accompanied by my friend Joe McDonald.  The occasion was my 50th Birthday party in 2010.  Harry enjoyed himself, and even got a chance to play with my friends in the celtic ceilidh group The Black Bear Rebels, as he picked up Jay MacDonald’s double bass to join in on some songs. – photo Patrick Tam Flunging Pictures.

Service for Harry at the Vancouver Crematorium.

This morning was the funeral service at the Vancouver Crematorium.  9:30 to 10am… but we started arriving at 9am, and left by 10:30am.  There was music playing upon arrival.  It was from Harry’s album with Jim Johnson – “The Many Moods of Man”

Themba Tana introduced himself and explained how that service would be simple with Zen Buddhist chanting.  People were asked to sign the guest book that Harry’s niece Catherine, had created with pictures of Harry’s life.  Ken Keneda explained that people could write their thoughts on pieces of paper, and place them into the open casket with the chrysanthems that each person was given.

Ken then read a note from Harry’s Niece in California… and he placed Harry’s harmonica and eye glasses in the coffin, while Themba Tana played his african finger drum.

After Harry’s coffin was wheeled out of the room… people were invited to say a few words.  Nobody stepped forward – initially.  But I brought up John Endo Greenaway – who had wanted to say that Harry would be featured in the next edition of the JCCA Bulletin.

I had arranged with Ken Keneda to read a Joy Kogawa poem, as I had previously told Ken that the last time was I was at the Crematorium had been for a concert performance by soprano Heather Pawsey, pianist Rachel Kiyo Iwaasa and flautist Kathryn Cernauskas, who had all performed at Kogawa House before.  They had performed poems by author Joy Kogawa, turned into songs by composer Leslie Uyeda.  But I couldn’t remember which songs they had been.

But, I found an appropriate poem by Joy that I could read, titled Where There’s a Wall”.

I introduced it by prefacing that Harry had broken down many walls through his music, friendship, and connections, and strength of will.  Then I closed with a verse of Robert Burns’ Auld Lang Sang – that I had never seen before, that was sent to me this morning – by Harry’s niece

Where there’s a Wall

Joy Kogawa

where there’s a wall
there’s a way
around, over, or through
there’s a gate
maybe a ladder
a door
a sentinel who
sometimes sleeps
there are secret passwords
you can overhear
there are methods of torture
for extracting clues
to maps of underground passageways
there are zepplins
helicopters, rockets, bombs
bettering rams
armies with trumpets
whose all at once blast
shatters the foundations

where there’s a wall
there are words
to whisper by a loose brick
wailing prayers to utter
special codes to tap
birds to carry messages
taped to their feet
there are letters to be written
novels even

on this side of the wall
I am standing staring at the top
lost in the clouds
I hear every sound you make
but cannot see you

I incline in the wrong direction
a voice cries faint as in a dream
from the belly
of the wall

~~~~~~~

Should Old Acquaintance be forgot,
and never thought upon;
The flames of Love extinguished,
and fully past and gone:
Is thy sweet Heart now grown so cold,
that loving Breast of thine;
That thou canst never once reflect
On Old long syne.

CHORUS:

On Old long syne my Jo,
On Old long syne,
That thou canst never once reflect,
On Old long syne.

We had 12 musicians….
2 small pipes
1 guitar
2 accordions from 3 people
1 bodrahn
1 fiddle/mandolin/guitar
1 ukelele/mandolin
1 banjo/mandolin
+
1 conga drums
1 bouzouki

Remembering Harry Hiro-o Aoki

Harry Hiro-o Aoki was a musical pioneer. He was born in Cumberland in 1921. After being interned with other Japanese-Canadians during WW2, Harry made it his life’s work to bring cultures together through music. He passed away January 24, 2013. The Aoki Legacy Fund was established to carry on his work.

Check this link for the CBC podcast on the Early Edition 3:38

Ride the Cyclone

At the Arts Club Theatre Granville Island Stage

Until February 16, 2012

Special Review from Deb Martin & Emilie Quevillon

The musical “Ride the Cyclone” is bizarre and quirky, but also a
fantastic show. Six graduating teenagers from a small town Catholic
High School are killed when the carnival ride “Cyclone” derails. They
have to decide, by unanimous vote, which one of them gets to return to
finish their life. What follows is a song and dance number for each of
them describing their accomplishments, history, or desires for the
future. Who is most worthy? Who deserves a second chance?

This fantastically talented cast and band takes us through a range of
emotions and surprises with a tight, well-honed script and great
direction. The singing is very strong, the only flaw is a few balance
issues where the band overpowers the vocals so the story gets a bit
lost.  The action is fast, no pauses or intermission for the audience
to ponder on who will survive. The Amazing Karnack, a fortune telling
puppet in a machine, narrates the story. This add yet another
dimension of quirkiness to the play.

The Arts Club Company can always be counted on for quality shows. The
choices of the PUSH Festival adds the unique flavour to the
co-production. It’s a great combination. I will look forward to more
shows from the Victoria based Atomic Vaudeville company.

“Des les premieres phrases du Musical Ride Of the Cyclone, le spectateur est aussitot accroche et embarque dans une dans un brillant univers d absurdite et de magie. Les surprises s’enchainent et s’averent etre un tour de force de la part des directeurs et du scenariste.  Leur creativite n est rien de moins qu’admirable. Le casting, varie et efficace, nous surprend sans cesse avec des morceaux fascinants ou inatendus. Vous voulez rire ou tout simplement passer un bon moment?  Ce petit bijou theatral vous comblera: assure!”

“As soon as the light turns down and we hear the first voice from the Musical Ride of the cyclone, our attention is already in this absurd and magical universe. All the following numbers are fascinating, surprising, and and always with a touch of humor. Or a lot! The brilliants directors and the writer possess an admirable creativity, supported by a various and efficient cast. If you want to laugh or just having a good time, this could be a sweet treat for sure!”